Bill Cosby and His Enablers (The Atlantic)
Ta-Nehisi Coates has written an amazing piece about Bill Cosby, Black Lives Matter, rape culture, and the enduring insidiousness of white supremacy:
But the narrative of cunning “bitches” arriving at the hotel room of a married man has a kind of resonance that drugging women on the set of a family-friendly television show does not. Similarly, the narrative of thuggish black boys in hoodies has a kind of resonance that child-murder does not. In fact, there is no real difference in claiming that a woman in a married man’s hotel room forgoes the right to her body, and asserting that a black boy wearing a hoodie forgoes the right to his. Brutality is brutality, and it always rests on a bed of lies.
He lays it out for readers in the most accessible, smart way possible:
Much like it is impossible to understand the killing of Tamir Rice as murder without some study of racism, it is impossible to imagine Bill Cosby as a rapist without understanding the larger framework. (For instance, it took until 1993 for all 50 states to criminalize marital rape.) Rape is systemic. And like all systems of brutality it does not exist merely at the pleasure of its most direct actors. It depends on a healthy host-body of people willing to look away.
If you read one thing on the internet this week, read this.
Do I Look Funny? (Racked)
A super fascinating, pretty upsetting look at how women comedians have dressed onstage versus how men have, this deep-dive is well worth your time and offers both some personal insight as well as a history lesson:
Men aren’t expected to dress a certain way onstage — or offstage, for that matter. They can wear a button-down or a T-shirt and jeans, as Jerry Seinfeld and Louis C.K. have done on both the stage and their eponymous TV shows. Women haven’t gotten off as easily. From the time women took the stage during the days of vaudeville in the early 20th century, their wardrobe choices have shaped their public personae.
In the article, Yuko interviews a number of people to talk about the modern implications for women in comedy, too:
On the perception front, what a performer wears onstage is also a cue for the audience, whether she wants it to be or not. “A costume designer considers how clothing can be a shorthand to the viewer to convey status, occupation, and self-image. I try to think of dressing for stand-up the same way,” explained Anna Lucero, a Chicago-based comedian who produces The Gogo Show. When selecting an outfit for a performance, she considers her comedic point of view, and whether it’s funnier to support or contrast that with her appearance.
The Razzie Nominations are (Mostly) 50 Shades of Grey (A.V. Club)
Kind of fun to read through the list of nominees. Perhaps most upsetting is that I’ve seen a whopping 3 of the 5 worst movie nominees, which is…embarrassing. My favorite part is the actors nominated for more than one movie in the same category.
Extra Hot Great: The Podcast for TV Addicts That’s Created its Own Community (The Guardian)
My favorite podcast got a feature in The Guardian, and it’s pretty great:
Making a podcast that is all about the minutia of television not only requires passion, but also a lot of TV watching. “Just for stuff that I cover, when everything is airing, I probably watch 20 hours a week,” said Bunting, that’s not including the auxiliary shows she watches when they are covered on the podcast, her true crime TV beat, nor the number of Beverly Hills 90210 episodes she watches for a spin-off website and podcast. “Tara probably watches twice as much as I do, ’cause she’s a supervillain, I guess?” said Bunting.
If you’re looking for a new podcast and like, smart, funny talk about TV, this is one I recommend. There’s something here for everyone.
What got you reading and thinking this week?