In August of 1892, Lizzie Borden called out to her maid that someone had killed her father. News of the brutal murder of Andrew and his wife Abby flew through town, and it wasn’t long before the Borden daughters, Lizzie and Emma, are embroiled in a police investigation. As the police work to solve the crime, Emma deals with her sister’s increasingly bizarre behavior.
See What I Have Done is Sarah Schmidt’s re-imagining of the Borden murders, but it’s a clever take on the infamous event. While she presents some facts to keep readers grounded in the historical realities of what took place all those years ago, she’s far less interested in presenting a new version of what “really” happened to readers. Instead, she focuses on just four days in the Borden household, and presents it in shifting perspectives to keep things interesting (and unreliable). The result is a claustrophobic fever-dream narration, and it really works.
The writing is compelling, as Schmidt allows Lizzie’s narration to verge from almost lucid to something closer to baby talk, while the mysterious stranger Benjamin’s narration also hints at being somewhat unhinged. Schmidt plays with her prose, allowing nouns to become verbs and relying heavily on sensory language to build tension and also a sense of place. Repetition is used to great effect.
A master at telling readers just enough while leaving many blank spaces for each individual to fill in with their own imaginations, this is a deeply unsettling read. It’s compelling, horrifying, and absolutely riveting. Readers won’t be able to put this one down. Recommended.
See What I Have Done by Sarah Schmidt. Atlantic Monthly: 2017. Library copy.