Kat and Dane met on a beach and got married on one. Now they’re two years into their marriage, and they might as well be strangers to one another. Kat is obsessed with her work and married to her phone, constantly checking in with her company. Dane is drowning in his own secrets, secrets he’s never told Kat but knows he must if they can salvage their relationship. On a last-ditch effort, the two take a 10-day trip to Belize to try to reconnect and see if there’s anything left worth saving.
Meghan March’s Take Me Back is best categorized as romantic suspense. The book favors euphemisms for its sex scenes (“to the hilt” is used several times, and it is never not completely distracting), is heavy on the dialogue and unbelievably light on the character development. It’s a quick read, to be sure, and is guaranteed to attract fans of the romantic suspense genre in general, but it’s also kind of a mess as a whole.
Neither Dane nor Kat are at all developed as characters (Kat’s main trait is that she’s work obsessed, but her actual job is never mentioned, a detail I found both hilarious and weirdly upsetting), and the book jumps so quickly into the action that there’s no time to get a sense of either character, nor their relationship to one another. The other characters, the few there are, are so underdeveloped it hardly matters. The villains are one-dimensional and the plotting is obvious.
Of course, that’s not really the point of a book like this. It hooks readers from the start and keeps the pace so quick that the book flies by. Dual narration on the part of Kat and Dane allows readers insight into what little motivation each one has, and the sex scenes are plentiful. This is standard romantic suspense, with a happy ending readers will see coming from page 2.
Give this one to fans of Maya Banks and Lora Leigh.
Take Me Back by Meghan March. Red Dress Press: 2017. Library copy.