
When NASA decides to hold a lottery for eligible teenagers to win a chance to go to the moon, the world pays attention. It’s been decades since a human set foot on the lunar surface, but now NASA is hoping to drum up publicity for the space program. Three teens are picked to spend a week on a station on the moon, and it’s certain to be a life-changing event. The problem is that no one realizes just how life-changing it will be. There’s something on the moon, and it’s not human.
This tense horror-suspense novel grabs readers from the start and doesn’t let go until the last page. A science fiction novel light on the science and heavy on the fiction, this one will keep readers up late into the night. Part taut Scandinavian thriller and part straight-up horror novel, this is a story you’ll remember.
Harstad’s prose (translated from Norwegian by Tara F. Chace) is accessible, sparse, and tense. This is a plot-driven novel, so readers looking for characters with a great deal of depth should look elsewhere. Although the novel alternates between the three chosen teens’ perspectives as well as a few other characters, it becomes clear early on that this is Norwegian teen Mia’s story. Tight pacing, especially in the last quarter, helps build the story to a thrilling climax and twisty, surprising conclusion.
Readers shouldn’t go into this one expecting much in the way of plausibility. The mere fact that the story’s premise involves teenage astronauts should give you all the clues you need for whether or not the story is realistic, but once you get sucked into the horror, it doesn’t matter any more. This is great suspense, and nothing else matters.
A good twist at the end will satisfy readers. This is interesting, original, and extremely accessible. There’s widespread appeal here, and the book’s simple prose makes it accessible to readers across many reading levels. Recommended for those looking for a good suspense novel with some great thrills and chills.
172 Hours on the Moon by John Harstad. ATOM: 2012. Borrowed copy.
In lieu of a review today, I thought I’d talk a little bit about what it’s like to re-read a series. I think I’ve talked about re-reading before, and how your relationship to a book can change over time, but I’m speaking very specifically about a particular series right now: The Sookie Stackhouse/Southern Vampire series by Charlaine Harris.
reading it. I first read Dead Until Dark years ago, way before TrueBlood became a TV show and before the vampire craze went nutso. I liked it, but it was definitely out of my wheelhouse. Here was a mystery featuring a plucky heroine who spends much of her narrative in the minutiae of her life. There is so much detail about how Sookie spends her time in really unremarkable ways that it’s astounding.
“Beware of Long Lankin…” is an old English song that warns of a sinister creature who seems to have a penchant for eating babies. When Cora and her younger sister Mimi are essentially dumped on their elderly aunt in a very isolated village in England, they don’t feel very welcome. Aunt Ida is absolutely rigid in her house rules, and the girls feel stifled and desperate to get back to London. They don’t understand their aunt’s fear, and when Cora and some village boys begin to uncover the evil that lurks in the town’s history, she begins to understand what her aunt dreads so much.






